The Stochastic Game

Ramblings of General Geekery

This is only a very unreliable rumour, but just for the record: the D20 OGL/SRD had a MASSIVE impact on the TTRPG industry in the early 2000s, and D&D getting rid of it would be a monumental mistake. Not that I care that much about D&D though.


All the people who are going to Mastodon will very soon realize that they haven’t replaced Twitter with it — they just have one more completely different social media account to monitor! Yay!


Caught up to The Handmaid’s Tale Season 4, and quite disappointed that they didn’t show more of the resistance networks and outcasts of Gilead… Instead they rush back to the same few characters. I haven’t seen season 5 yet but I suspect it keeps going downhill from there.


After watching a couple artists live stream, it looks like I’m way too impatient. They take their time while I’m often hurrying through the second half of a piece and end up unhappy


Caught up to Westworld season 4, which was a huge disappointment for me. Season 3 was the one I liked best, because it was basically full-on cyberpunk action and fun!


Lore, Tropes, and Goals: The Problem with New Settings

There’s this preconception in roleplaying circles that game settings are easy to get into if they have a book or movie about them. Middle Earth is “easy to grasp”, people say, because you “just” need to read a couple of (overly long) books, or watch a couple of (overly long) movies.

Hey I know at least three of these names! Map from Tolkien Gateway by Steven White Jr.

But I was watching my first Actual Play of The One Ring recently and it was set in the Second Age of Middle Earth: the coastal line of the game map looked familiar but all the names were “wrong”. I didn’t know where the player characters were from, who their allegiances were to, or where they were going. It was just a bunch of random Tolkienesque names to me. But I was familiar with the tropes, and I understood their simple short-term adventure goal. And that’s all I needed to follow along.

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